The narrative duality of Pinocchio: from the page to the screen, between moral complexities and film adaptations

Abstract

This article explores the evolution of Carlo Collodi's "The Adventures of Pinocchio", from its origins as a fairy tale in 1883 to its 2019 film adaptation by Matteo Garrone. We analyze how the transition from a literary work to cinema not only broadens the audience, but also redefines the cultural perception of the narrative. We highlight divergences between the original book and the film, examining narrative choices, character development, and interpretations of specific events. By exploring this narrative duality, we seek to understand how cinema, when adapting works rich in symbolism, faces the challenge of visually transmitting moral and psychological complexities present in literature.